Who ever said that becoming a grown-up meant getting less surreal? Not Kyary Pamyu Pamyu. The sound of “Harajuku Iyahoi” features a decidedly more adult sound that the artist’s previous work, especially when contrasted with her iconic debut “Pon Pon Pon“. The autotune brought down to level 7, Kyary Pamyu Pamyu compliments a wistful keyboard melody with rhythms played on the off-beat and a confident vocal take. Visually, “Harajuku Iyahoi” plays like a saccharine-infused Salvador Dali parade in a darkened room. The trees dance, the hat racks march, and the motorized looking glasses keep Kyary within sight lines for the 3:40 duration. As I contemplate the Harajiku lanterns glowing red and blue, the idea of Kyary Pamyu Pamyu forging a career past her teenage “it-girl” status really interests me. If “Harajuku Iyahoi” is any indication, the poster girl for kawaii culture still has much in store for us.
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